EROS3 + DANSE DES FOUS + COSMOGON
Coffret 1DVD + 1 CD audio
Livret 16 pages couleur
Texte | Pacôme Thiellement – Dada-Yuga

CONTENU DU DVD :
DVD 1.2
EROS 3, 35 minutes, 2004-2011
LA DANSE DES FOUS, 37 minutes, 2002-2004

CD AUDIO 2.2
COSMOGON, 60 minutes, 2011

Click here to view the embedded video.

disponible ici/available here

Joujouka Interzone is a collaboration between Master Musicians of Joujouka, French sound and visual artist Joachim Montessuis and Frank Rynne.
Montessuis and Rynne will live mix and project a HD digital onslaught utilizing archival and specially commissioned material while The Master Musicians of Joujouka will provide an aural onslaught that maintains their completely natural sound with no additions.
Joujouka Interzone premiers as the Grand Finale of the Casablanca International Digital Arts Festival/F.A.N. 29 Oct 2011 at Complexe Moulay Rachid Casablanca Morocco.

Joujouka Interzone feature live performances by the Master Musicians of Joujouka this trailer features the sound Master Musicians of Joujouka recorded live in their village at the Brian Jones 40th Anniversary Festival 29th July 2008. Recorded by David Slevin, production supervisor Frank Rynne. The full recording of the festival is due for release in 2012. There are also visuals shot summer 2011 at The Master Musicians Festival by Joachim Montessuis. The next edition of The MMOJ festival will take place in their village 8-10 June 2012.

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JOACHIM MONTESSUIS / JOERG PIRINGER / JULIEN OTTAVI / JAAP BLONK

Sound poetry, wild vocals, voice-shout-lettrism, visual poetry performances in 4 acts + 1 quartet.

We need a strong P.A., a good videoprojector, some place to stay.
Fee would be 1200 Euros for the 4 acts + travel

Please let us know if you are interested to host a performance at your place, and we can discuss conditions and such.
Thanks for your reading and attention.

Biographies:

JAAP BLONK
Jaap Blonk (born 1953 in Holland) is a self-taught composer, performer and poet.

Around the age of 30 he discovered his potential as a vocal performer, at first in reciting poetry and later on in improvisations and his own compositions. The voice became his main means for the discovery and development of new sounds, later extended by the use of live electronics and live interactive animations.
Jaap Blonk is unique for his powerful stage presence and freedom in improvisation, combined with a keen grasp of structure. He performs all over the world.
He performed and recorded with many instrumentalists and vocalists, such as Maja Ratkje, Phil Minton, Mats Gustafsson, Jim O’Rourke, Terrie Ex, Joëlle Léandre, Marcus Schmickler, Gary Lucas etc.
He also has his own record label, Kontrans, featuring a total of 15 releases so far.

JOERG PIRINGER
born 1974. currently living in vienna, austria. member of the institute for transacoustic research. member of the vegetable orchestra. master degree in computer science.

works as a freelance artist and researcher in the fields of electronic music, radio art, sound and visual electronic poetry, interactive collaborative systems, online communities, live performance, sound installation, computer games and video art.

JULIEN OTTAVI
A mediactivist, artist-researcher, composer / musician, poet and tongues destroyer, experimental film maker and anarchitect, founder and member of Apo33, Julien Ottavi is involved in research and creative work, combining sound art, real-time video, new technologies and body performances. Since 1997, he develops a composition work using voice and its transformation through computer. Active developer of audio/visual programs with Puredata, he has also developed since many years DIY electronics (radio transmitters, oscillators, mixers, amplifiers, video transmitters…etc) in the perspective of knowledge sharing on technological development. Main developer for the Gnu/Linux operating system APODIO for digital art and A/V & streaming diffusion. His practices is not limited to the art spheres but crosses different fields from technological development to philosophy / theoretical research, biomimetic analysis & experimentation. Since many years he reflects on the relations between experimental practices and collective practices within the creation of autonomous collective groups, putting in question the authorship strategy of the “art ideology”.

Julien Ottavi is part of a generation of audio artists to emerge in the 90s that indicated some of the directions that music and soundart is taking. While at art school, he organized a series of concerts, bringing international artists from the experimental scene to Nantes, drawing touring musicians to movements happening outside of Paris. This became not just a destination but a nexus for collaborations. This resulted for example in the group Formanex to perform graphical scores of electro-acoustic music, and in Apo33, an artists collective to facilitate, nurture, and disseminate creative audio practice. In this way, Julien represents the energy and initiative of a present day artist – activist through practice, organizing as performance, publishing as networking, open source and open aesthetic. This fluidity of working across boundaries of style and role are seen in his music, physical with computer, performative and reflective. (introduction by Atau Tanaka)
Regular collaborators of reconized artists : Jenny Pickett, Brandon Labelle, Keith Rowe, Kasper T. Toeplitz, Jerome Joy, Ryan Jordan, Joachim Montessuis, Christian Galarretta, Achim Wollscheid, Elpueblodelchina, Zbigniew Karkowski, Randy Yau, Ilios, Philippe Roux, Dominique Leroy, Dion Workman, Yvan Etienne, Mike Bullock, Phill Niblock, Seth Cluett, KKnull, Jean-Louis Costes…etc.

JOACHIM MONTESSUIS
He is currently based in Paris. Since 1993 he has been developing a transversal sonic poetry praxis focused on experimental voice processing and immersive concert-installations. His noise and video events are devised as panic-poetic spaces in which sensorial disturbance and blurring occur, starting from silence to wall of sound. He has worked in some major European electronic arts centres (CICV, Fresnoy, V2_Lab, KHM) and his live performances and installations have been presented at international venues and festivals including DEAF, ISEA, ICA, Yerba Buena Center in SF, Sónar, Elektra, Rio de Janeiro among others. His current work is oriented towards a reflection process on the observation and perception of reality through a non-dual approach.

He also is the editor of the CD label Erratum devoted to art, noise and experimental sound poetry – which he started in 1997. He occasionally curates experimental poetry events and exhibitions.
Collaborations with very many different artists including Charlemagne Palestine, Phill Niblock, Maja Ratkje, Henri Chopin, Joel Hubaut, Jörg Piringer, Julien Ottavi, Evil Moisture, Horia Cosmin Samoïla, Gary Hill, John Giorno, Collectif MU (Paris), Shu Lea Cheang, Martin Howse, etc etc

A few tracks :

OTTAVI
PIRINGER
MONTESSUIS
BLONK

dimanche 24 avril 2011

L’effort doit être maintenu sur le long terme et c’est dans cette dynamique que le projet DEBOUT ! orchestré par Satoko Fujimoto démarre à Paris. La manifestation aura lieu au Studio Campus à Bastille le dimanche 24 avril de 15h à 22h, le programme réunira Nosfell, Jean-François Pauvros, Kohshou Nanami, Tomoko Sauvage+Nicolas Lelièvre, Tsuneko Taniuchi, Gaspar Claus, Joachim Montessuis, la projection du film Chant du Peuple de Satoko Fujimoto et les illustrateurs/plasticiens Pierre la Police, Ludovic Debeurme, Adoka Niitsu et Akiko Hoshina. Un message inédit de Keiji Haino sera également diffusé, ainsi que des témoignages de sinistrés et des chansons de paysans des régions victimes du tsunami et de l’accident nucléaire. Les fonds récoltés seront reversés au <http://go.madmimi.com/redirects/76080272ad726f60ed0adbf1f84d8f7d?pa=3458961621>Nihon Univa Cheam, organisation japonaise qui intervient dans les zones les plus dévastées par le tsunami.

Sunday April 24th 2011

We need to make sure we continue to send our support and it’s with this in mind that DEBOUT ! has been programmed by Satoko Fujimoto in Paris. The event is to take place at Studio Campus at Bastille on Sunday 24th April from 3pm to 10pm and will bring together Nosfell, Jean-François Pauvros, Kohshou Nanami, Tomoko Sauvage+Nicolas Lelièvre, Tsuneko Taniuchi, Gaspar Claus, Joachim Montessuis, the projection of the film Chant du Peuple by Satoko Fujimoto and the illustrators/visual artists Pierre la Police, Ludovic Debeurme, Adoka Niitsu and Akiko Hoshina. There will also be a special message from Keiji, as well as witness accounts and folk songs from the regions hit by the tsunami and the nuclear accident. The money raised will go to <http://go.madmimi.com/redirects/76080272ad726f60ed0adbf1f84d8f7d?pa=3458961621>Nihon Univa Cheam, which is part of the humanitarian response in the areas most affected by the tsunami.

Un plateau télévisuel qui inaugure la future télévison de Bandits-Mages sur le Net, coordonnée par Philippe Zunino, intervenant culturel à Bandits-Mages et supervisée par Jean-Pascal Vial, directeur de Bandits-Mages.
Crap Artist TV est un plateau expérimental, réalisé par Isabelle Carlier qui est l’expression d’une télévision où le medium n’est plus le message, via TF1, via Canal+, via la galaxie Gutenberg, via McLuhan, mais la continuité d’un corps télévisuel considéré comme un développement d’un espace incontrôlable.
Ici Média = corps = langages = pensées = musiques = performances = dessins = films
Une mise en oeuvre du commun et des singularités placée sous la direction du MIFI : The Made In Fiottes Institute, Philippe Zunino et David Legrand.
Un au-delà de la télévision considérée comme un hommage à ces animateurs de l’au-delà Pierre Schaeffer, Jean Hedern Halier, Daniel Prevost et Jean-Pierre Mocky.

Click here to view the embedded video.

http://www.piednu.fr/festival-2011/?Mercredi-30-mars

with

Bernard Parmegiani

Marco Marini

photos Olivier Vary

Manifesten, Limoges, mars 2011.
galerie du CAUE.
Film de Pierre Linguanotto

Nouvelles Cartographies Poétiques / 8-30 mars 2011

NOEUD BORROMEEN
ALEXANDRE BELLENGER / ERIK MINKKINEN / JOACHIM MONTESSUIS
guitares électriques

« Peut-être le premier nœud borroméen musical ? Trois guitares nouées, qui forment un nœud, un nœud de sons, un nœud de câbles, d’amplis et de cordes. Chacune est tenue par les deux autres. A trois ça tient ! Ca a tenu même dans un placard la première fois ! Comme le dit Jacques-Alain Miller, un nœud borroméen ça tend toujours à se défaire. Ca peut se transformer. C’est un truc pas fixe. Ca bouge. Alors à quoi ça tient ? Comment ça tient ? Une rencontre. Un mariage. Un assemblage. Un nœud. »
(Alexandre Bellenger)